Titlebook: Global Journalism Practice and New Media Performance; Yusuf Kalyango,David H. Mould Book 2014 Palgrave Macmillan, a division of Macmillan

謙卑

,: Colombia—An Ethnographic Study of Digital Journalistic Practicesnd family owned media, as well as a platform to build democracy and the free press. Some organizations dedicated to protecting and monitoring free expression in Latin America see possibilities for investigative, independent journalism and civic movements in the online boom (Farah, 2011).

galley

狂熱文化

誘惑

智力高

,: Suriname—The Land Rights Issue and Media Performances on how the conflicts have been reported in the media, and what journalism educators think about media performance and journalism practice. Themes in land rights reports from the online versions of the two oldest daily newspapers in Suriname, . (The West) and . (The True Time), were analyzed for th

MILL

: Trends in Global Journalism and New Media Performancen processes, especially regarding content production. With the increasing proliferation of mass communication alternatives available to information seekers and communicators, traditional journalists are debating how to transform and adapt to the current and evolving media environment.

CHOIR

notification

,: China’s New Media Paradox: Economic Gains, Political Troublesique transitional society with a system that has been described as “market authoritarianism” (Winfield, 2005): the co-existence of economic openness and success with comparatively tight political control.

集聚成團(tuán)

,: El Salvador—Digital Media and Social Campaigns—Libro ,social-networking sites. This is forcing Salvadoran communicators (journalists, publicists, public relations professionals, designers, and teachers) to learn more about digital communication so that they can produce messages that more accurately target users.

CLOT

,: Ghana—The Politicization of Liberalized Mediaeveloped world, provided the basis for the growth of a vibrant media sector. Contemporary issues and debates about media systems in Ghana, therefore, draw on both past and present experiences and practices.