Titlebook: Global Anglophone Poetry; Literary Form and So Omaar Hena Book 2015 Omaar Hena 2015 critique.poetics.poetry.Tradition

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What Is Language and Why Does It Matter?,ization in the aftermath of apartheid and acceleration of globalization in contemporary South Africa. “There is a strong impulse in the country,” she writes, “supported and sustained by the media, for a grand concluding narrative, which will accompany entry into the globalized economy and internatio

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Chromatic

Kim Anh Duong,Rachel Simon-Kumarical meaning of any given act of world-making, as it does so clearly in our debates in world literature” (. 40). To be sure, a study of only four poets working squarely within mainstream, metropolitan modes of writing inevitably performs a number of exclusions. My preference for formal or what might

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Introduction,mpire and the acceleration of globalization. In the past decade or so, scholars have increasingly interpreted how contemporary literature, most often narrative fiction, imaginatively represents the flows of cultures, peoples, ideas, and economy across national boundaries and the ways literary instit

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,Derek Walcott’s Poetics of Global Economy in ,tion of the Caribbean through his sustained conversation with Western literary inheritances, what he called in 1970 “the greatest bequest the Empire made” (Hamner 50). “We knew the literatures of empires, Greek, Roman, British, through their essential classics,” he recalls concerning his colonial ed

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Recomposing South Africa: Cosmopolitanism and Vulnerability in Ingrid de Kok,ization in the aftermath of apartheid and acceleration of globalization in contemporary South Africa. “There is a strong impulse in the country,” she writes, “supported and sustained by the media, for a grand concluding narrative, which will accompany entry into the globalized economy and internatio

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Literary Citizenship in Daljit Nagra,ys “huddled” in the bottom of a British cruiser, while above deck, “cushy come-and-go / tourists” stand at the head of the prow “l(fā)ording the ministered waves” (32). Winner of the Forward Prize for Best Individual Poem 2004, “Look We Have Coming to Dover!” goes on to describe the tumultuous process b

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Conclusion,ical meaning of any given act of world-making, as it does so clearly in our debates in world literature” (. 40). To be sure, a study of only four poets working squarely within mainstream, metropolitan modes of writing inevitably performs a number of exclusions. My preference for formal or what might

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