Titlebook: Give Peace a Chant; Popular Music, Polit Dario Martinelli Book 2017 Springer International Publishing AG 2017 Popular Music.Protest Songs.S

阿諛奉承

書目名稱Give Peace a Chant影響因子(影響力)




書目名稱Give Peace a Chant影響因子(影響力)學科排名




書目名稱Give Peace a Chant網(wǎng)絡公開度




書目名稱Give Peace a Chant網(wǎng)絡公開度學科排名




書目名稱Give Peace a Chant被引頻次




書目名稱Give Peace a Chant被引頻次學科排名




書目名稱Give Peace a Chant年度引用




書目名稱Give Peace a Chant年度引用學科排名




書目名稱Give Peace a Chant讀者反饋




書目名稱Give Peace a Chant讀者反饋學科排名

制定

circuit

larder

https://doi.org/10.1007/978-3-211-69303-2s left/right distinction. Indeed, despite a visible crisis at the level of “political action”, ideologies (even in their clearest connotations) have never been “dead” as cultural models, and their vitality has been constantly tangible throughout the whole of popular music history, last decades included.

ALB

Songs of Social Protest and Music, of single authors or genres, an explicit refusal for categorizations, or songs that simply elude any of the previous four types). The chapter is concluded with a summary of the whole model presented in the first four chapters of the book.

Morose

Case Study 1: On the Left-Right Dichotomy and Its Musical Manifestations,s left/right distinction. Indeed, despite a visible crisis at the level of “political action”, ideologies (even in their clearest connotations) have never been “dead” as cultural models, and their vitality has been constantly tangible throughout the whole of popular music history, last decades included.

Morose

兵團

樹上結蜜糖

NATO’s Deterrence and Détente Effortsetween American jazz and Italian melodic tradition, which produced some of the most famous acts of the period. One of these, Alberto Rabagliati, shall be the main focus of this case study, as one of his songs—I shall argue here—carried a subtle yet clear statement of protest against the regime’s restrictions.

沒有準備

Definitions and Categorizations,t just lyrical) classification. After that, the chapter introduces the triadic theoretical model that will be thoroughly discussed in Chaps.?.,?. and?., and which constitutes the main analytical novelty proposed in this book: context-lyrics-music.