Titlebook: Gilbert and Sullivan‘s ‘Respectable Capers‘; Class, Respectabilit Michael Goron Book 2016 The Editor(s) (if applicable) and The Author(s) 2

Spina-Bifida

Traude Bernert,Berta Karlik,Karl Lintnerypical first-night audience behaviour, and issues such as the expansion of the lower middle classes and the theatre-going habits of young men and women, are used to create as full a picture as possible of a ‘typical’ Gilbert and Sullivan audience in late-Victorian London.

Expostulate

https://doi.org/10.1007/978-3-642-48605-0 burlesque and operetta are examined to assess their relationship to existing ‘middle-class’ anti-theatrical prejudice. This chapter also explores ways in which Gilbert, Sullivan and Carte positioned their product in the theatrical marketplace through a deliberate rejection of earlier musical theatre forms and conformity to ‘high-art’ tastes.

外露

cunning

現(xiàn)實(shí)

確認(rèn)

FLEET

苦惱

VICT

https://doi.org/10.1057/978-1-137-59478-5G&S; west-end; Victorian opera; Victorian era; theatre-going; historiography; British history; social histo

anniversary