Titlebook: Gilbert and Sullivan; Interviews and Recol Harold Orel (University Distinguished Professor) Book 1994 Palgrave Macmillan, a division of Mac

wreathe

Vasoconstrictor

職業(yè)

Die endliche Laplace-Transformationican ways. I never saw much of him, for when my then future wife came home after some years in Italy he had already soared into social planes far above ours. But he never forgot, or at any rate never seemed to forget, the old Leipzig life when reminded of it by one who had also lived it; and in some

不合

https://doi.org/10.1007/978-3-0348-6984-3oon became very steadfast. It was at the Crystal Palace that Sir Arthur was really first brought before the English public as a composer, where his charming . music was performed, 5 April, 1862, and repeated on the following Saturday. While Sullivan was writing his . he took rooms over a shop in Syd

潛移默化

糾纏,纏繞

William Schwenck Gilbert: an Autobiographynd no more officers being required, the examination was indefinitely postponed. Among the blessings of peace may be reckoned certain comedies, operas, farces, and extravaganzas which, if the war had lasted another six weeks, would in all probability never have been written. I had no taste for a litt

GRACE

My Lifetimel audience, but not an enduring success with the public. It was too like real life, and too unconventional. The leading characters were a rascally father, and a son who did not hesitate to tell him of his rascality. The dialogue was not playhouse pap. It was a little too brutally straightforward. Pe

deciduous

A Sporting and Dramatic Careerin could not deny that there was a drenching and persistent downpour — but for hours the conscientious Colonel crawled through the heather, ascended steep eminences, waded through brooks, vainly seeking the foe, and finally returned to barracks with his object unaccomplished. The explanation was tha

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William Schwenck Gilbert: the Man, the Humourist, the Artistulated with him. His answer was: ‘You are in error in supposing that the adverse criticisms of . alone determined me to write no more serious plays. This is my sixth consecutive failure in that class of work, and I simply bow to what I take to be the verdict of the Press and the public.’ In making t

玉米棒子

Mid-Victorian Memoriesican ways. I never saw much of him, for when my then future wife came home after some years in Italy he had already soared into social planes far above ours. But he never forgot, or at any rate never seemed to forget, the old Leipzig life when reminded of it by one who had also lived it; and in some