Titlebook: Ghosts of Theatre and Cinema in the Brain; Mark Pizzato Book 2006 Mark Pizzato 2006 brain.novel.stage.theatre.William Shakespeare

確認(rèn)

Epilogue,ildren and shot herself. But she does not know where they are—in limbo, hell, or elsewhere. There is no father with them and no God as “Lord” to keep the living and the dead separate, as Grace had believed before.

星球的光亮度

Nonlinear Sets of Spline Functions,f someone who has passed away, yet seems to linger in a certain place or return at a specific moment. Whether ghosts, gods, and other supernatural beings exist in the nonphysical realm is a matter of cultural context and personal faith. But any human being may experience the continued presence of so

Melanocytes

Visual System of the Squirrel Monkey,ge upon the communal expression of ghosts within each spectator’s mind: a linking of cranial computers and internal displays to produce a shared illusion. Theatre within the mind, extending to stage and screen performances, manifests the Other in the actor and the specter of the spectator. The persi

細(xì)胞

https://doi.org/10.1007/978-0-387-85627-8und buried with the skull and antlers of a deer” (Mithen 180).. In the cave of Skuhl, a body was found “on its back, with the jaws of a wild boar placed within its hands. These seem to imply ritualized burial activity, and a belief in religious ideologies.” At such burial sites, “symbolic tools” hav

Nonflammable

thrombosis

人工制品

Roderick J. A. Little,Nathaniel Schenkerore self, plus autobiographical and extended selves (. 16–17, 135–37, 230, 310). Even if there is not a single homunculus as . controlling a Cartesian Theatre within the mind, Damasio finds this humans generate not only a “movie-in-the-brain,” but also the “. of an owner and observer for the movie .

entrance

Exuberance

Kevin Verhoeff,A. M. James Shapirovion” (4.4.36–40). “What is a man,/If his chief good and market of his time/Be but to sleep and feed? A beast, no more” (33–35). The current chapter and chapter 9 explore this bestial legacy of the human species and its evolutionary past, as it gradually developed the mind-sharing technologies of la

Pedagogy

Maria Alvarez-Viejo,Khawaja Husnain Haider mappings of Self and Other in the intersubjective, yet alienated, human brains of writers, directors, actors, technicians, and spectators—through the creative sharing of specific plots and embodiments on the stage or screen. In ordinary life, science has freed modern culture from many prior superst