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Titlebook: Ghost Writing in Contemporary American Fiction; David Coughlan Book 2016 The Editor(s) (if applicable) and The Author(s) 2016 American Lit

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發(fā)表于 2025-3-21 18:09:57 | 只看該作者 |倒序?yàn)g覽 |閱讀模式
書目名稱Ghost Writing in Contemporary American Fiction
編輯David Coughlan
視頻videohttp://file.papertrans.cn/386/385687/385687.mp4
圖書封面Titlebook: Ghost Writing in Contemporary American Fiction;  David Coughlan Book 2016 The Editor(s) (if applicable) and The Author(s) 2016 American Lit
描述.This book examinesrepresentations of the specter in American twentieth and twenty-first-centuryfiction. David Coughlan’s innovative structure has chapters on Paul Auster,Don DeLillo, Toni Morrison, Marilynne Robinson, and Philip Roth alternatingwith shorter sections detailing the significance of the ghost in thephilosophy of Jacques Derrida, particularly within the context of his 1993text, .Specters of Marx.. Together, these accounts of phantoms, shadows,haunts, spirit, the death sentence, and hospitality provide a compellingtheoretical context in which to read contemporary US literature. .GhostWriting in Contemporary American Fiction. argues at every stage that thereis no self, no relation to the other, no love, no home, no mourning, nofuture, no trace of life without the return of the specter—that is, withoutghost writing..
出版日期Book 2016
關(guān)鍵詞American Literature; Contemporary Fiction; Twenty-first century American literature; Literary Theory; Ha
版次1
doihttps://doi.org/10.1057/978-1-137-41024-5
isbn_softcover978-1-349-68154-9
isbn_ebook978-1-137-41024-5
copyrightThe Editor(s) (if applicable) and The Author(s) 2016
The information of publication is updating

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Karen S. Rook,Tonya L. Schuster question of the ghost or shadow and why therefore the question of following unsettles any sense of an undivided present. This present divided between past and future is understood in terms of the . (the step or pace that is also no pace) that Derrida tracks through the work of Maurice Blanchot and
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Physical Fractionation of Organic Matter does not relate to the novelist Marilynne Robinson’s. Coughlan suggests that Derrida’s opening line, “I shall speak of ghost, of flame, and of ashes,” is a line that applies also to Robinson’s first novel ., but he argues that Derrida’s spirit is always spectral whereas Robinson’s spirit survives t
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Sol-Gel Formation of Bulk Glassese. It is this question of the name, as a ghost that one inherits and that survives one, that this short chapter addresses as it follows J.D. through issues of translation, citation, remembering, and time. Because, in time, the secret ghost of one’s own name returns, and so the future, life, and deat
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