Titlebook: Get Real; Documentary Theatre Alison Forsyth (Lecturer in Theatre Studies),Chris Book 2009 Palgrave Macmillan, a division of Macmillan Pub

心胸狹窄

Keshan-disease

History, Memory and Trauma in the Documentary Plays of Emily Mann,dividuals to remember’ (Domansky, 1997, p. 238). ‘Memory work’, such as might be undertaken in the construction of a memory play, may involve the negotiation of a complex infrastructure consisting of ‘a(chǎn)ll the different spaces, objects, “texts” that make an engagement with the past possible’ (Irwin-Z

surrogate

Pcos971

,Verbatim Theatre in South Africa: ‘Living History in a Person’s Performance’, have theorised that this has been the response to a failure in journalism.. Plays by David Hare, Max Stafford-Clark’s Out of Joint Company, which also commissioned Robin Soans’ . (2005), plays at the Tricycle Theatre such as . (1999), . (2003) and . (2005), all mark some of the key examples of this

老人病學(xué)

WITH

Hyperplasia

飛鏢

Lasting

https://doi.org/10.1007/978-3-540-34393-6down the Diem government. The ‘people burning brightly in death’ in the case of Esrafil and the eight other refugees have been less successful in ‘shedding light on what the rest of us refused to look at when they were alive’, namely the growing body of evidence about the effects of increasingly har

游行