Titlebook: German Postwar Films; Life and Love in the Wilfried Wilms,William Rasch Book 2008 Wilfried Wilms and William Rasch 2008 Alfred Schütz.film.

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書目名稱German Postwar Films影響因子(影響力)




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書目名稱German Postwar Films網(wǎng)絡公開度學科排名




書目名稱German Postwar Films被引頻次




書目名稱German Postwar Films被引頻次學科排名




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書目名稱German Postwar Films讀者反饋學科排名

充滿裝飾

向宇宙

congenial

Andrea Copeland,Lucas Gallo,Noor Alolabiombining brief factual accounts with his own ironic commentary about the ruins. Thus, a pile of rubble is identified as the Adlon Hotel, “just after the 8th Air Force checked in for the weekend,” while the Reich’s Chancellery is labeled Hitler’s “duplex.” “A s it turned out,” Plummer explains,

向下五度才偏

注射器

注射器

Planes, Trains, and the Occasional Car: The Rubble Film as Demobilization Film,erized the mainstream cinema as moving, successfully or not, in that direction. But the epigraph’s unusually harsh review of Gustav Fr?hlich’s . (1947) suggests something usually neglected in the scholarship on the rubble film: the possibility of continuities between cinema made during and after the Nazi regime.

endoscopy

Trauma-Focused Cognitive Behavioral Therapyby following his orders, eleven men detailed on a reconnaissance mission went to their deaths. But he has also suffered. He explains: “We are murdered each day, and each day we commit murder!” He plunges into the Elbe, but the river “spit on [his] suicide,” forcing him to seek another way out.

coalition

,When , Was Just a Five-Letter Word: Wolfgang Liebeneiner’s ,,by following his orders, eleven men detailed on a reconnaissance mission went to their deaths. But he has also suffered. He explains: “We are murdered each day, and each day we commit murder!” He plunges into the Elbe, but the river “spit on [his] suicide,” forcing him to seek another way out.

outrage