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Titlebook: George Saunders; Critical Essays Philip Coleman,Steve Gronert Ellerhoff Book 2017 The Editor(s) (if applicable) and The Author(s) 2017 Geor

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11#
發(fā)表于 2025-3-23 09:44:19 | 只看該作者
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發(fā)表于 2025-3-23 15:14:55 | 只看該作者
Tanja Beer,David Curtis,Julie Collinseen rendered inconsequential by neoliberalism. Rather than instigating an apocalyptic social breakdown (as traditional zombies do), Saunders’s “undead” have little, if any, durable agency; furthermore, they are disavowed by mainstream American culture: if their wretchedness was to be taken seriously
13#
發(fā)表于 2025-3-23 18:08:23 | 只看該作者
Inducing Pro-environmental Behavior, when used to examine “Victory Lap,” illuminates Saunders’s craft, identifies Saunders’s use of microdialogues, and highlights how Saunders’s characters are the echo chambers for competing voices. By using Bakhtin’s analysis of the hero as a “particular point of view” on her or his own world (and se
14#
發(fā)表于 2025-3-24 01:25:23 | 只看該作者
https://doi.org/10.1007/978-3-319-49932-1George Saunders; Tenth of December; Pastoralia; Thomas Pynchon; Short Story; American Literature
15#
發(fā)表于 2025-3-24 04:06:32 | 只看該作者
16#
發(fā)表于 2025-3-24 08:11:22 | 只看該作者
https://doi.org/10.1007/978-3-642-30409-5An original interview between George Saunders and co-editor Steve Gronert Ellerhoff. This was conducted via e-mail between November 2014 and July 2015. Saunders touches on topics ranging from his concept of “understory” to his writing process, as well as his creative influences and Buddhism.
17#
發(fā)表于 2025-3-24 11:44:13 | 只看該作者
18#
發(fā)表于 2025-3-24 16:07:44 | 只看該作者
978-3-319-84277-6The Editor(s) (if applicable) and The Author(s) 2017
19#
發(fā)表于 2025-3-24 21:41:25 | 只看該作者
George Saunders978-3-319-49932-1Series ISSN 2634-579X Series E-ISSN 2634-5803
20#
發(fā)表于 2025-3-25 01:41:40 | 只看該作者
Stability of Concentrated Emulsions,rticular, . deserves more critical attention than it has received to date because the four pieces are profitably revisited in the light of Saunders’s more-recent work, worth considering as a short-story sequence that speaks presciently, as a set, that illuminates an arc of American work and life.
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