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Titlebook: George Eliot and Victorian Historiography; Imagining the Nation Neil McCaw Book 2000 Palgrave Macmillan, a division of Macmillan Publishers

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書目名稱George Eliot and Victorian Historiography
副標(biāo)題Imagining the Nation
編輯Neil McCaw
視頻videohttp://file.papertrans.cn/384/383990/383990.mp4
圖書封面Titlebook: George Eliot and Victorian Historiography; Imagining the Nation Neil McCaw Book 2000 Palgrave Macmillan, a division of Macmillan Publishers
描述In this new study of George Eliot‘s fiction, textual attempts to imagine a coherent and unified national past are seen as producing a contradictory vision of Englishness. It is a historiographical national identity, constructed in the image of predominant, and conflicting, trends in the Victorian writing of history. The inherent uncertainty caused by the shift between different perceptions of English history leads, in the later fiction, to an abandonment of contemporaneous grand narratives. The consequence is a history that anticipates a more modern, radical philosophy of history.
出版日期Book 2000
關(guān)鍵詞fiction; historiography; history
版次1
doihttps://doi.org/10.1057/9780230286948
isbn_ebook978-0-230-28694-8
copyrightPalgrave Macmillan, a division of Macmillan Publishers Limited 2000
The information of publication is updating

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Emotional Logic and Decision Makingween history and national identity. The past is identified as foreign Other in relation to the metaphorical and dominant nation of the historical present. This notion of the past as foreign Other identifies the ability to write history, to narrate the group experience, as ideologically crucial. For,
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https://doi.org/10.1007/978-3-030-43149-5gland as a historical nation. Crucially, this evolution will be seen to be informed by a pervasive English nationalism derived from a dominant trend of British historiography, namely the so-called Whig Interpretation of History. In the first of these chapters the qualified presence of Whiggish perce
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Emily Margaret Murray,Margherita Paola Poto George Eliot’s fiction is disturbed by a contradictory, disputatious voice. This voice problematizes the smoothness of the narrative, particularly in its rejection of Whiggish optimism and self-congratulatory present-centredness. The fissures in the realization of the Whig Interpretation arise out
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https://doi.org/10.1057/9781137263759ness embodied in her work. And, although the ‘symbolic realism’. of Carlyle (as Chris Brooks has called it) and George Eliot’s particular historical imagining differ as far as their philosophical-religious foundation is concerned, they also overlap in the way that historical process is realized. The
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