Titlebook: George Eliot and Italy; Andrew Thompson Book 1998 Palgrave Macmillan, a division of Macmillan Publishers Limited 1998 culture.fiction.Geor

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Neeraj Sonalkar,Malte Jung,Ade Mabogunjee Graeco-Roman and Christian worlds, to create her own mythopoesis in the service of her overall vision. The great quest myths of Homer and Virgil were for Eliot a symbolic expression of the collective human consciousness, and the concrete facts of history were, she believed, the continuing embodime

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Robert J. de Boer,Petra Badke-Schaub Dante in her novel. This arrangement creates an overall progression from Italy seen in a negative light in the first two sections to a rather more positive and constructive view of it in the third. I begin, though, with a discussion of Eliot’s poem ‘How Lisa Loved the King’, written before she bega

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Yoshiaki Kikuchi,Madoka Noriuchionship with Grandcourt leads to the onset of a Dantean .; thirdly, as she becomes increasingly dependent on Daniel Deronda as a spiritual guide and alternates between infernal and purgatorial states of mind; and finally, as she enters a purgatorial condition of ‘difficult blessedness’, despite being

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,Eliot’s Italian Exile in ‘Mr Gilfil’s Love Story’ (,),brace. Whereas in her fiction until ., Eliot is mainly concerned with English provincial life, in ‘Mr Gilfil’ we observe a concern to incorporate a European perspective which takes the form of an exploration of cultural relationships. This concern with Italy was in itself the continuation of an inte

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Italian Culture and Influences in , Dante in her novel. This arrangement creates an overall progression from Italy seen in a negative light in the first two sections to a rather more positive and constructive view of it in the third. I begin, though, with a discussion of Eliot’s poem ‘How Lisa Loved the King’, written before she bega

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