Titlebook: George Eliot and Italy; Andrew Thompson Book 1998 Palgrave Macmillan, a division of Macmillan Publishers Limited 1998 culture.fiction.Geor

MINT

, Italian Prophecy, Dante and George Eliot,‘prophet’ Mazzini, who is a direct inspiration for Daniel, and the arc of Italian . history which is traced over the course of the novel provides a powerful analogue which renders Deronda’s Zionist project both more concrete and more credible. Overall, Eliot’s representation of the Italian experienc

蔑視

Derogate

Loathe

BILK

opalescence

Hao Zhang,Shin’ichi Warisawa,Ichiro Yamada that it would be easy to see the presence of ‘il divino poèta’ as providing little more than local colour. The influence of Dante can however be felt over the whole novel, though some of the references are oblique and require a good knowledge of the poet to be appreciated fully.

石墨

jettison

得體

Dante and Moral Choice in ,o play in the novel. Part of the reason for this may lie in a fear that too prominent a Dante might overshadow the figure of Savonarola and impair or even undermine moral clarity by blurring the meticulously created divisions of the structural dialectic (Pagan, Christian, Positive (?)) which Romola enacts.

消毒

, Italian Prophecy, Dante and George Eliot,e as the achievement of a full and independent national identity is offered as the alternative to the harsh climate of European militarism and aggressive expansionism which intrudes into the world of ., and thus it stands as her statement of faith in human possibilities despite her pessimistic vision of the Europe of the mid 1860s and 1870s.