Titlebook: Geometrical Objects; Architecture and the Anthony Gerbino Book 2014 Springer International Publishing Switzerland 2014 Antonio da Sangallo

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The Master of Painted Architecture: Andrea Pozzo, S. J. and His Treatise on Perspective century. Historians have presented the general outline of the treatise and have discussed its valuable descriptions of the author’s own designs. The book’s place, however, in the history of the literature on perspective has received far less attention. This article examines the style and content of

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Geometry, Mechanics, and Analysis in Architecture that the three disciplines in the title of this paper came to be gradually introduced. Their use was crystallised into modern codes of practice for elastic design, which claim to evaluate the state of a given structure under given loading. In fact, these states cannot be observed: a real structure

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A Scientific Concept of Beauty in Architecture: Vitruvius Meets Descartes, Galileo, and Newtons of the ancients and the inventions of the moderns. In some cases, the parallel assumed the sterile form of a purely academic debate, but in others it gave rise to entirely original reasoning and theoretical elaboration. This is the case, for example, of the critical revision of Vitruvius’s concept

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Breathing Room: Calculating an Architecture of Airt translated into real life, into real practices, and, for the purposes of this paper, into architectural theory and practice? The answer, far from straightforward now in an era of rapid change, was equally difficult at a time when architects were concerned about tradition as much as innovation. By

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James “Athenian” Stuart and the Geometry of Setting Outthe nineteenth has long been held to be the minute surveys of ancient buildings that were undertaken and published during that period. Ultimately inspired by Antoine Desgodetz’s . (1682), measured surveys of antique buildings across the Mediterranean world became a staple part of architectural and a

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