Titlebook: Genre Trouble and Extreme Cinema; Film Theory at the F Troy Bordun Book 2017 The Editor(s) (if applicable) and The Author(s) 2017 extreme c

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Analytische Geometrie als Modell,le with “compulsory monogamy” in a sexual epoch much more diverse than heterosexual, monogamous sex permits. The author engages Bill Nichols’s documentary film theory to assess Reygadas’s critiques and his style. Reygadas employs the profilmic event as a stylistic device. The chapter continues the w

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,I Don’t Know It When I See It: Catherine Breillat’s Pornography, to sexually explicit displays and that we should therefore do away with the notion of porn as a genre, this chapter demonstrates the genre’s shifting terrain and the merits of including Breillat within it.

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Reframing Spectatorship Theory with Extreme Cinema,e perhaps been willing to grant. The chapter’s means to accomplish this is the bridge built between the theories of psychoanalysis (Lacan, ?i?ek, Burgin) and phenomenology (Marks). With the preceding chapters’ arguments in hand, an alternative method of building spectators into film theory and genre theory is proposed.