Titlebook: Genre Trajectories; Identifying, Mapping Garin Dowd,Natalia Rulyova Book 2015 The Editor(s) (if applicable) and The Author(s) 2015 Genre st

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International Peace and Security,ourers were murdered in a small Austrian village on the Hungarian border, purportedly in the context of a party hosted by Countess Margit Batthyány at Rechnitz Castle. The exact events of that night remain shrouded in mystery, the perpetrators have not been brought to justice and the mass grave has

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CUR

Hemoptysis

https://doi.org/10.1007/978-94-009-1143-7graphic shows became commonplace at New York’s Museum of Modern Art, this was an important departure for the National Gallery which until then had been exclusively devoted to Western painting from the 13th century onwards. Yet painting (‘Art’) still provided the frame of reference within which photo

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Boqin Liao,Juan Yang,Yannan Shao, and plastic arts’, with the most fertile ground found in literary studies (Dowd, 2006, p. 21). In genre studies, visual culture is nonetheless prominent, but mainly in its narrative-based forms, such as cinema and television. John Frow, in his introduction to genre, cites as relevant the following

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Autobiography

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Social Contagion of Global Consumers,n as sociocognitive frames every time we construct and comprehend new utterances in concrete situations. Resting on key references, such as the work of Mikhail M. Bakhtin (2006) and Carolyn R. Miller (1984), the pragmatic genre theory is both an epistemic stance and a mindset designed to describe th