Titlebook: Genetics and the Novel; Reimagining Life Thr Paul Hamann-Rose Book 2024 The Editor(s) (if applicable) and The Author(s), under exclusive li

松軟

2634-6435 n the novel’s aesthetic exploration of life and?demonstrates that the novel emerges as the cultural form uniquely positioned to engage both the imaginative and concrete challenges raised by genetic science for the lifeworlds of the new millennium..978-3-031-53102-6978-3-031-53100-2Series ISSN 2634-6435 Series E-ISSN 2634-6443

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,“There is grandeur in this view of life”: Ian McEwan’s Poetics of Chance and the Forms of Genetic Dy not only illustrate that discourses of genetic determinism are in fact manifold to begin with, but they additionally demonstrate that literary fiction is attuned to scientific ideas in very precise ways down to the level of form. In the form of a coda, I outline the contours of McEwan’s genetic th

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Conclusion: Levels of Life in the Novel,nvestigations of scientific conceptions of life beginning with the Romantic debates about idealist and materialist notions of vitality. The novel’s ingrained focus on life is reconfigured through its exploration of a materialist genetic understanding of life itself. Its complex and dynamic treatment

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Aspirin

,Simon Mawer’s Book of Life: , as Fictional Genetic Life Writing, past and present lives but also the very notion of life engaged in life writing. The novel’s fictional autobiographical perspective shows in a particularly striking manner the convergence of biological and biographical dimensions that characterise the twentieth-century molecularisation of life. In

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,“There is grandeur in this view of life”: Ian McEwan’s Poetics of Chance and the Forms of Genetic Dtic determinism. In . (1997) and . (2005), McEwan’s poetics of chance reveals a complex critique of molecular explanations of life and the deterministic rhetoric they have frequently inspired. Exploring aesthetic and genetic structures of chance and determinism, these novels embody a new form of con