Titlebook: Genealogies of Genius; Joyce E. Chaplin,Darrin M. McMahon Book 2016 The Editor(s) (if applicable) and The Author(s) 2016 20th century.Aust

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悶熱

Genius versus Democracy: Excellence and Singularity in Postrevolutionary France,, aristocracy offered part of the answer, since inequality was linked to an innate greatness.. Religion provided the remaining explanation, justifying earthly inequality by a transcendental and temporal appeal. In the afterlife, god would reset justice (“the last shall be first and the first last”).

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Equality, Inequality, and Difference: Genius as Problem and Possibility in American Political/Scienhat all men are created equal …”—he fashioned perhaps the most well-known phrase in all of American political language, one that has resonated powerfully to this day. This paean to human equality, however, was not his only view on the subject. As a slaveholder, he lived out one version of the parado

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Genius and Obsession: Do You Have to Be Mad to Be Smart?,ing and compulsive behaviors. My interest is less to locate madness in any one person and more in observing the change of certain kinds of epistemological categories that reshape the nature of knowledge about madness and genius and the instantiation of that knowledge within culture.

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,“Genius Must Do the Scullery Work of the World”: New Women, Feminists, and Genius, circa 1880–1920,ally marginalized or disempowered. It was a common assumption in Victorian and Edwardian Britain that women were by nature unlikely to display genius. Nonetheless, “genius” proved a captivating and, on occasion, workable concept for late nineteenth- and early twentieth-century feminists. The signifi

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perpetual

Insight in the Age of Automation,s. Whatever minimal functions consciousness might perform, it has been demonstrated over and over again how judgment and reasoning can take place automatically with very little influence from what we usually call the self, or consciousness. Even the highest forms of intellectual expertise are, to bo

FELON

Genius and Evil,closely, it remains an inscrutable, disturbing, even a painful puzzle.”. The words are those of Thomas Mann, or rather of his character August von Goethe, the son of Johann Wolfgang von Goethe, as depicted in Mann’s 1939 novel, .. The work is a fictional recreation of the actual, historical visit to