Titlebook: Gendering Science Fiction Films; Invaders from the Su Susan A. George Book 2013 Susan A. George 2013 gender.ideology.Print.women

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Saturday Matinee Cautionary Tales: Science Fiction Vamps and Promethean Scientists,is phrase could have been uttered by any of the vamps that came before or after her. The female vampire or vamp figure has had a long history in Western art. While not a fanged vampire from the Bram Stoker novel, she . a metaphorical bloodsucker who, often merrily, leads men down a primrose path to

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,“I’m not the Monster Here!”: Science Fiction Working Women after Rosie’s Retirement and the Men The the complicated and often contradictory issues, values, and ideologies that were circulating in the U.S. As noted in the introduction, “Hollywood had always been chickenhearted about social and political controversy” (Carter 209). Still the license allowed some genre films, including science fictio

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Postwar Prototypes: Female Heroes and Progressive Men,c age, they are rarely the film’s protagonist or central figures throughout the film. Even they are sidelined when the final battle with the invaders begins. Therefore, the rarest science fiction woman is the one who, either alone or with a male character, serves as the film’s hero. In my research I

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nvasion narratives as performances of middle-class, white Americans‘ excitement and anxiety about social and political issues, George shows how they often played out as another round in the battle of the sexes.978-1-349-45810-3978-1-137-32158-9

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Taishi Matsushita,Kusuhiro Mukais including Elaine Tyler May, David Halberstam, William O’Neill, and James Gilbert remind us that it was a time of rapid social and political change that fostered a great deal of excitement and an equal amount of trepidation. Many Americans, especially the white middle-class, were excited about the

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