Titlebook: Gender, Sex, and the City; Urdu Rekhti Poetry i Ruth Vanita Book 2012 Palgrave Macmillan, a division of Nature America Inc. 2012 gender.poe

BRAWL

Servants, Vendors, Artisans,ds, they bring to the fore monetary transactions, central to an urban economy but generally marginal in poetry. In the poetry, they are mostly spoken to or spoken about, but their voices are occasionally heard as well.

雜色

Women in the City,stical . evoke the romance of real things, people, and places. Characters in this poetry connect not just through words or thoughts but through letters, gifts, purchases, shared clothing, and food. They design their personalities by fashioning individual styles.

適宜

Eloquent Parrots, poet called Maulvi Haidar Ali, who wrote in Persian, Arabic, and Hindi, to recite something. Saying that one’s command of one’s native language is always better than of foreign languages, therefore, he was most satisfied with his Hindi poetry, the Maulvi recited a religious ode (which we would term Urdu).

Ingrained

Neither Straight nor Crooked,ry theme of the ., friendship becomes the more individual and idiosyncratic relation. The . models ways to love and to desire; it gestures toward friendship as a more hidden, relatively less stylized love.

ARM

A Poetics of Play,n excess and “is freedom itself.”. Having no purpose outside itself, it steps out-side real life into an intense and sacred reality of its own. Although undertaken spontaneously, it creates order and has rules and limits.