Titlebook: Gender, Pregnancy and Power in Eighteenth-Century Literature; The Maternal Imagina Jenifer Buckley Book 2017 The Editor(s) (if applicable)

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Learning to care and communicate,ced by medico-cultural blame; by emphasising Victor Frankenstein’s guilt regarding the creation of his monstrous child to address the way that Romantic writers eschewed the problematic elements of maternal imagination such as guilt, shame and fear, while appropriating its valuable creative and transformative qualities.

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,“I’ll Repress the Rising Anguish/Till Thine Eyes Behold the Light”: Passionate Responsibility in Maion in their poetry therefore probes the tensions of late eighteenth-century maternity. Buckley suggests that maternal imagination not only survived in poetry, but evolved, perhaps because its central aspects – maternity, emotion and imagination – were also crucial to the Romantic aesthetic.

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https://doi.org/10.1057/9780230605046 her thoughts and feelings. The chapter establishes the state of the discourse at the beginning of the eighteenth century with a particular focus on the level of a pregnant woman’s agency. Exploring medicine, folklore and forms of literary imagination, the chapter situates maternal imagination – som

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Pauline Melville’s Shape-Shifting Fictionses the tropes of maternal imagination to investigate a pregnant woman’s agency, responsibility and power over both her foetus and her household. Novels such as Tobias Smollett’s ramble novel . (1751) and Samuel Richardson’s sentimental fiction . (1741) create a space to discuss the paradoxical power

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https://doi.org/10.1057/9780333985427urence Sterne’s . draws upon the unusual notion of paternal imagination and role of the father and identify a mid-century crisis in thinking about pregnancy and foetal development; not only in fiction, but also in more scientific genres. Medical texts on paternal imagination by physicians such as Er

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Jennifer L. Mozeiko,Deborah S. Yostve emotions about their pregnancies and the subversive techniques employed by women writers to express their frustrations. While man-midwives such as Thomas Denman propagated the notion that most forms of maternal imagination were nonsense, they also insisted that the passions of a pregnant woman we

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Learning to care and communicate, such as .. Shelley literalises the reproductive metaphor in the novel and self-consciously exposes a set of assumptions about women, imagination, and pregnancy. Shelley dissects medical view that full responsibility for the pregnancy should devolve onto the mother; the resulting cultural pressure p

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Workshop Seven: Experiential Learning,hteenth-century constellation of ideas concerning maternal imagination continues to hold implications for on-going ideas concerning gender, pregnancy and creativity in the twenty-first century. The epilogue points to recent debates concerning pregnant women and alcohol, smoking, drug abuse, and even