Titlebook: Gender, Otherness, and Culture in Medieval and Early Modern Art; Carlee A. Bradbury,Michelle Moseley-Christian Book 2017 The Editor(s) (if

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Richard L. Rigatti,Roger Stewartendered representations of heavy-bodied women embodied a particular type of female otherness. Read in contexts of attitudes toward food and women’s appetites, certain fleshy bodies were implicitly linked to a threatening, unrestrained kind of sexuality. These images contributed to a broader discours

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,Acute Aortic Syndromes in the?ER,The essays in this volume examine how gender and otherness coalesced in the visual culture of the Middle Ages and early modern eras. They explore the intersections of gender and other cultural identities as expressed in objects from the past, and they illuminate and interrogate their persistent influence.

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Facing Medusa: A Thirteenth-Century Reliquary of King David,Viewers of a late medieval reliquary in Basel’s cathedral treasury were confronted with a seemingly irreconcilable contradiction: the reliquary is in the shape of the heroic King David, ancestor of Christ, but the face is a cameo of Medusa, the female monster who turned men to stone.

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