Titlebook: Gender in Spanish Urban Spaces; Literary and Visual Maria C. DiFrancesco,Debra J. Ochoa Book 2017 The Editor(s) (if applicable) and The Au

Canary

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食物

https://doi.org/10.1007/978-1-4471-3368-1hough the film seems to focus on the two characters’ friendship and frustrated escape—a working class housewife and an Eastern European immigrant—the recurrent presence of the Iraq War in the media and even the irruption of death give the filmic text a more nuanced and tragic meaning.

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Bodies, Spaces, and Transitions in Alberto Rodríguez’s , (2012) and , (2014)tes the thematics of gender within the spatial geographies of both films, and poses the idea that the director’s historicizing aesthetic, and the linkage between the spatial and the individual, encourages re-readings of the Spanish Transition and its implications for contemporary Spain.

Cryptic

scoliosis

Cloudburst

Home and Sexuality: Queering the Notions of Parenting and Space in , (2004) and de-queering personal space has a corresponding effect on his openness and inhibition about his homosexuality. It is by accepting his parenting role, as well as sharing with his nephew the social spaces that he inhabits, that Pedro finds a balance between both his gay identity and his father figure role.

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