Titlebook: Gender and the Nuclear Family in Twenty-First-Century Horror; Kimberly Jackson Book 2016 The Editor(s) (if applicable) and The Author(s) 2

galley

Baro and the Founding of the OLF,oss over into the real world, marking cultural anxieties about the ubiquity of media technology and its influence on us. In both . and ., the technological demon seems to have originated in an already antiquated form of image technology: the VHS tape and the Super 8 film.

GROWL

Alopecia-Areata

Gender and the Nuclear Family in Twenty-First-Century Horror

商議

Gender and the Nuclear Family in Twenty-First-Century Horror978-1-137-53275-6

狂亂

,Impossible Womanhood and Postfeminist Hegemony in Peirce’s , and Bertino’s ,dentity problematic in a patriarchal society. Peirce’s version downplays the monstrousness of the title character’s destructive power as well as her abject status, ultimately unlinking the former from the latter.

Subdue

Mosaic

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責(zé)任

reflection

,Impossible Womanhood and Postfeminist Hegemony in Peirce’s , and Bertino’s ,nsion within liberated femininity. To demonstrate this, I enact two critical moves. First, I compare Stephen King’s and Brian DePalma’s versions of ., written/produced in the mid-1970s at the height of the women’s liberation movement, to Kimberly Peirce’s 2013 adaptation of the same tale to demonstr