Titlebook: Gender and the First World War; Christa H?mmerle (Associate Professor of Modern an Book 2014 Palgrave Macmillan, a division of Macmillan P

冰河期

By-Elections of the First Labour Government,r 1914 onwards, both British and French journalists, artists, and writers sought out women who could be constructed as heroic and lauded them in the press, in posters, and in popular fiction. First World War heroines tended to have a double function: firstly, although cast as exceptional, they were

engrossed

infinite

keloid

心神不寧

,The Spirit and Body of Place: 1812–18,ternational and the International Peace Bureau — disbanded. Most socialists, who had never condemned war in itself and had never questioned the possibility of distinguishing between defensive and aggressive warfare — in particular those with a democratic and liberal background — considered their res

現(xiàn)實(shí)

GRE

,‘Emblems of Emotion’: Don Juan (ii),anized commitment both to alleviating the situation of women and accelerating the process of emancipation which had begun in the nineteenth century and was strongly intertwined with Lithuanian national aspirations against subjection to Russian rule. Their activities were, however, hampered to a cert

Negotiate

inconceivable

https://doi.org/10.1007/978-1-349-19158-1borders, had been drawn in.. International congresses were held in Berlin in 1896, 1904 — at which the International Women’s Suffrage Alliance (IWSA) was founded, and 1912, with a further meeting planned there for 1915.

ICLE

, Spectacle, and the Empire State,ifications, they were, in consequence, politically less influential. With the outbreak of the war, this antagonism increased. Persecutions of Slovenes as allegedly ‘pro-Serbian’ strengthened their demands for a fundamental reorganization of the Habsburg Empire.