Titlebook: Gender and Subjectivities in Early Twentieth-Century Chinese Literature and Culture; Ping Zhu Book 2015 Ping Zhu 2015 culture.fiction.gend

Provenance

Andrew Cox,Chris Lonsdale,Glyn Watsonh was represented as an absent masculine figure. Yu’s monologue appears at odds with the prevalent model of modern Western nationalism, a model that centers on masculine feelings, memories, and strength..

PATHY

The Affective Feminine: Mourning Women and the New Nationalist Subject,h was represented as an absent masculine figure. Yu’s monologue appears at odds with the prevalent model of modern Western nationalism, a model that centers on masculine feelings, memories, and strength..

curriculum

Introduction: The Feminine at Large,s and genderless (though not sexless) society, in which one’s sexual anatomy is irrelevant to who one is, what one does, and with whom one makes love” (204). Chinese intellectuals in the early twentieth century shared a similar dream, albeit one with more racial implications: they endeavored to extr

Parallel

The Empowered Feminine: Gender, Racial, and Nationalist Discourses,th-century China. Some scholars have already pointed out that Chinese feminism “is always already a global discourse, and the history of its local reception is a history of the politics of translation” (Ko and Wang 2006, 463). Therefore, it is reasonable to view Chinese feminism as a relatively auto

concise

埋葬

Preserve

The Cosmopolitan Feminine: The Modern Girl and Her Male Other in the New-Sensationalist Fiction,olonial presence after the First Opium War (1839–1842), Shanghai rapidly grew into the commercial center of China and Asia due to its strategic location in trading with the West. At the same time, it also became an object of voyeuristic gaze both from the West and within China. In the eyes of the We

整頓

,The Revolutionary Feminine: The Transformation of “Women’s Literature”,odernity. In the writings of Lu Xun, Yu Dafu, Zhang Ziping, Guo Moruo, Liu Na’ou, and Mu Shiying, the figure of the feminine supplies embodied concept-metaphors, re-channels affective flows, constructs intersubjective spaces, and finally, produces various modern subjectivities. The writers discussed

形容詞詞尾

Conclusion: The Feminine and Early Chinese Feminism,en colonial discourse and nationalist discourse in the form of two competing gender ideologies. The empowerment of the feminine, as my chapters show, marks a salient invention of Chinese colonial modernity. It shows more than a passive imitation of the “civilized” Western gender relations where wome

irritation

,The Anamorphic Feminine: History, Memory, and Woman in Lu Xun’s Writings,d of the male modern’s enlightenment, an allegory of old China’s (female) need for modernity and modernization (male)” (204). As Lu Xun vehemently criticized women’s oppression in traditional Chinese society with his pen, his own portrayal of the female gender was oftentimes saturated with tragic hu