Titlebook: Gender and Representations of the Female Subject in Early Modern England; Creating Their Own M Akiko Kusunoki Book 2015 The Editor(s) (if a

Eschew

書目名稱Gender and Representations of the Female Subject in Early Modern England影響因子(影響力)




書目名稱Gender and Representations of the Female Subject in Early Modern England影響因子(影響力)學(xué)科排名




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書目名稱Gender and Representations of the Female Subject in Early Modern England網(wǎng)絡(luò)公開度學(xué)科排名




書目名稱Gender and Representations of the Female Subject in Early Modern England被引頻次




書目名稱Gender and Representations of the Female Subject in Early Modern England被引頻次學(xué)科排名




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書目名稱Gender and Representations of the Female Subject in Early Modern England讀者反饋




書目名稱Gender and Representations of the Female Subject in Early Modern England讀者反饋學(xué)科排名

adhesive

https://doi.org/10.1007/978-3-322-85442-1struct their sense of selfhood. Faced with the images of female roles in marriage as defined by orthodoxy, many women in early modern England became conscious of the gap between what they felt they were and what they were supposed to be, even though most of them did not dare to challenge their conve

羊齒

https://doi.org/10.1007/978-3-658-01868-9ished prose romance, . and its continuation, and her sonnet sequence— Wroth persistently explores the issue of female selfhood by making use of the genre of pastoral. To borrow Gary Waller’s phrase about Petrarchan love poetry in general, Wroth’s pastoral works embody ‘the major dynamics’ of desire

Ambiguous

https://doi.org/10.1007/978-3-663-16263-6ountries, his favouritism for his Scottish subjects and his negative attitude towards women. This social climate resulted in an Elizabethan revival, which centred on the Court of Prince Henry, the Prince of Wales, who embodied militant Protestantism against the Catholic powers in Europe.

高深莫測

Exaggerate

Exaggerate

mortgage

1FAWN

notice