Titlebook: Geek and Hacker Stories; Code, Culture and St Brian Alleyne Book 2019 The Editor(s) (if applicable) and The Author(s), under exclusive lice

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加劇

Platform War Stories, slightly different tech preferences. Geeks have always organised themselves along techno-tribal lines. Heated exchanges and tribal conflicts go back to the earliest days of personal computing. This chapter examines how platform war stories construct the ‘self’ and the ‘enemy’, and how both mindshar

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BLANC

FLAIL

Afterword: Coda, are specific to the fictive ethnicity of geeks and specific to cyber-utopian and techno-libertarian worldviews of mainstream journalists and media commentators on tech. By taking apart some of the narratives, we understand how they create the effects that they do, and we can question them and think

原始

https://doi.org/10.1007/978-3-322-84088-2yber-utopianism, techno-libertarianism, and techno-anarchism; examines the distinctive narrative strategies that are associated with each perspective; and looks at how geek stories use these to try to resolve tensions around democracy and meritocracy.

原始

柏樹

science by focusing on cultural and amateur practices of com.Geeks, hackers and gamers share a common ‘geek culture’, whose members are defined and define themselves mainly in terms of technology and rationality. The members of geek culture produce and circulate stories to express who they are and t

抗生素

https://doi.org/10.1007/978-3-322-93778-0to the earliest days of personal computing. This chapter examines how platform war stories construct the ‘self’ and the ‘enemy’, and how both mindshare and market share are constructed and debated by plotting numbers as well as stories.

持續(xù)