Titlebook: Gaming in Social, Locative and Mobile Media; Larissa Hjorth,Ingrid Richardson Book 2014 Palgrave Macmillan, a division of Macmillan Publis

神像之光環(huán)

書(shū)目名稱(chēng)Gaming in Social, Locative and Mobile Media影響因子(影響力)




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PANG

寄生蟲(chóng)

Genome

Reconceptualising Casual Playl contexts—at home, at work, and on the move. At the same time, the ease of app development has provided many game developers—and consequently, players—with more elastic innovation around game genres, gameplay, and the aesthetics and affordances of game environments. Thus, not only have we witnessed

malign

Ambient Playe and she dashes down an unfamiliar lane in the park. She escapes the zombies. Then she looks around. She has never seen this part of the park before. There is a golden streak of sun dancing on some trees. It looks like a fairy tale. She takes a picture on Instagram and uploads it. It’s the first in

Fermentation

Fermentation

清唱?jiǎng)?/a>

Projection

Locating Home: Cross-generational Play and Co-presenceitter, Sina Weibo (CNNIC 2013). The significant role played by mobile phones as the dominant portal for social and online media was highlighted in the CNNIC 2013 report—.—which claimed that mobile web users now total over 463 million. In China, mobile phones have afforded a version of the online tha

有限

Games and Cultural Playade by a range of media theorists that we are in the midst of a cultural turn towards a lusory sensibility, that is, in turn, affecting a playful sociality. This shift is seen in the integration of SNSs, mobile games, and playful apps, and the very ordinariness of that integrated use in our everyday