Titlebook: G. K. Chesterton: Explorations in Allegory; Lynette Hunter Book 1979 Lynette Hunter 1979 Britain.fiction.history of literature.literature.

Eviction

,New Explorations: 1918–1925,en though Chesterton’s own abilities lay in rather different directions. However, the books of this period do bear out the solidity of his belief; and are interesting in picturing the total interdependence of all aspects of his life.

乏味

,Inner Landscapes: 1900–1935,t vivid problems of the soul’ and made him feel that he had ‘not found any real spiritual solution of them’. The solution he found in turning to the Catholic church was based on the necessity for accepting external reality because of the existence of an external authority. The Father Brown stories c

Interim

Early Landscapes,tionately large key of a shining yellow metal and wore a large golden or gilded crown’. As he himself realised the image was a summation of the explorations of his life. It reflected the sense of immanent danger on either side of the bridge and the possibility of achieving an understanding of his li

英寸

,Confused Trails: 1898–1903,ained the seeds for future developments in the criticism. But the major works of criticism, with their conscious examination and expansion of the artistic ideas, seem to have been necessary to leave the way free for the artist to find new modes of expression. Chesterton’s early artistic work (1891–1

我沒有強迫

,Artistic Explorations: 1892–1900,et was heavily criticised for obscurity. But it represents an effort to break away from the dominating forms of his early poetry and short stories. The incomprehension of the contemporary readers was largely a direct result of the poet’s experimentation with a new form that was only partially succes

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