| 書(shū)目名稱 | From Song to Print | | 副標(biāo)題 | Romantic Pseudo-Song | | 編輯 | Terence Allan Hoagwood | | 視頻video | http://file.papertrans.cn/349/348943/348943.mp4 | | 叢書(shū)名稱 | Nineteenth-Century Major Lives and Letters | | 圖書(shū)封面 |  | | 描述 | From Song to Print is a study of the major cultural transition from oral forms of art and discourse to the commercial culture of print that happened during the Industrial Revolution. Through a discussion of ancient musical forms (classical, biblical, and early-modern poetry of song), this book explores the typographical simulation of music and oral poetry during the nineteenth century. Original and innovative, this work shows how the musical writings of Romantic poets, such as Wordsworth, Coleridge, Byron, and Keats, evoke antique cultures and ancient settings while offering a critique of their own imitative forms and the modern, commercial context in which they appear. | | 出版日期 | Book 2010 | | 關(guān)鍵詞 | Coleridge; John Keats; music; poetry; Romanticism; Samuel Taylor Coleridge; William Wordsworth; Wordsworth; | | 版次 | 1 | | doi | https://doi.org/10.1057/9780230105706 | | isbn_softcover | 978-1-349-37629-2 | | isbn_ebook | 978-0-230-10570-6Series ISSN 2691-1256 Series E-ISSN 2634-5218 | | issn_series | 2691-1256 | | copyright | Terence Allan Hoagwood 2010 |
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