| 書目名稱 | Form and Feeling in Japanese Literati Culture | | 編輯 | Matthew Mewhinney | | 視頻video | http://file.papertrans.cn/346/345612/345612.mp4 | | 概述 | Looks at the work of four writers who participated in Japanese literati culture.Offers new ways to think about the relationship between poetic form, irony, and self-expression.Highlights the critical | | 圖書封面 |  | | 描述 | .This book explores how two early modern and two modern Japanese writers – Yosa Buson (1716–83), Ema Saikō (1787–1861), Masaoka Shiki (1867–1902), and Natsume Sōseki (1867–1916) – experimented with the poetic artifice afforded by the East Asian literati (.bunjin.) tradition, a repertoire of Chinese and Japanese poetry and painting. Their experiments generated a poetics of irony that transformed the lineaments of lyric expression in literati culture and advanced the emergence of modern prose poetry in Japanese literature. Through rigorous close readings, this study changes our understanding of the relationship between lyric form and the representation of self, sense, and feeling in Japanese poetic writing from the late eighteenth through the early twentieth century. The book aims to reach a broad audience, including specialists in East Asian Studies, Anglophone literary studies, and Comparative Literature.?. | | 出版日期 | Book 2022 | | 關(guān)鍵詞 | Japanese literature; Poetry; Irony; Lyricism; Literary criticism; Cultural studies; Japanese Literati Cult | | 版次 | 1 | | doi | https://doi.org/10.1007/978-3-031-11922-4 | | isbn_softcover | 978-3-031-11924-8 | | isbn_ebook | 978-3-031-11922-4 | | copyright | The Editor(s) (if applicable) and The Author(s), under exclusive license to Springer Nature Switzerl |
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