| 書目名稱 | Feeling Film |
| 副標(biāo)題 | A Spatial Approach |
| 編輯 | Beth Carroll |
| 視頻video | http://file.papertrans.cn/342/341663/341663.mp4 |
| 概述 | Investigates how spatial readings of aesthetics might be achieved and the issues it raises.Explores the idea that a film‘s aesthetic qualities should be the focus of reading film.Uses film musicals as |
| 叢書名稱 | Palgrave Studies in Audio-Visual Culture |
| 圖書封面 |  |
| 描述 | This book questions the de facto dominance of narrative when watching films. Using the film musical as a case study, this book explores whether an alternative spatial understanding of film can offer alternative readings to narrative. For instance, how do film aesthetics influence our interaction with the film? Can camera movement and music make us ‘feel’ cinema? Can the film world bleed into our own? Utilising film musicals ranging from those by Fred Astaire and Ginger Rogers to von Trier’s .Dancer in the Dark. (2000), .Feeling Film: A Spatial Approach. investigates how we might go about understanding the audience‘s spatial relationship with film aesthetics, what it might look like, and the tools needed to conduct analysis.? |
| 出版日期 | Book 2016 |
| 關(guān)鍵詞 | film music; music; space; haptics; phenomenology; audio-visual; musical; genre; gestalt |
| 版次 | 1 |
| doi | https://doi.org/10.1057/978-1-137-53936-6 |
| isbn_softcover | 978-1-349-71177-2 |
| isbn_ebook | 978-1-137-53936-6Series ISSN 2634-6354 Series E-ISSN 2634-6362 |
| issn_series | 2634-6354 |
| copyright | The Editor(s) (if applicable) and The Author(s) 2016 |
|Archiver|手機(jī)版|小黑屋|
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