| 書目名稱 | Fascism and Millennial American Cinema | | 編輯 | Leighton Grist | | 視頻video | http://file.papertrans.cn/342/341208/341208.mp4 | | 概述 | Critically considers the filmic mediation of an issue, fascism, that has been of recurrent concern historically and is of pressing concern presently.Sheds new light on the topic of fascism and film, w | | 圖書封面 |  | | 描述 | This book examines a spate of American films released around the turn of the millennium that differently address the actuality or possibility of domestic fascism within the USA. The films discussed span a diversity of forms, genres and production practices, and encompass low- and medium-budget studio and independent releases (such as .American History X., .Stir of Echoes. and .The Believer.), star and/or .auteur. vehicles (such as .The Siege., .Fight Club. and .American Beauty.), and high-budget, high-concept science-fiction films and franchises (such as .Starship Troopers., .Minority Report., the .Matrix. and .X-Men. trilogies and the .Star Wars. prequels). Central to the book is the detailed analysis of the films, which is contextualized historically in relation to a period that saw the significant rise of the far Right. The book concordantly affords a wider insight into fascism and its various manifestations and how such have been, and continue to be, registered within American cinema.?. | | 出版日期 | Book 2018 | | 關(guān)鍵詞 | America; American cinema; cinema; fascism; socialism; Cold War; Nazi | | 版次 | 1 | | doi | https://doi.org/10.1057/978-1-137-59566-9 | | isbn_ebook | 978-1-137-59566-9 | | copyright | The Editor(s) (if applicable) and The Author(s) 2018 |
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