| 書(shū)目名稱 | Fans, Blockbusterisation, and the Transformation of Cinematic Desire | | 副標(biāo)題 | Global Receptions of | | 編輯 | Carolyn Michelle,Charles H. Davis,Craig Hight | | 視頻video | http://file.papertrans.cn/342/341108/341108.mp4 | | 概述 | Offers a methodological blueprint for large-scale comparative research on global audiences.Showcases the potential utility of Q methodology for media and communication studies.Breaks new ground in cha | | 圖書(shū)封面 |  | | 描述 | .This book explores the evolution of audience receptions of Peter Jackson’s .Hobbit. trilogy (2012-14) as an exemplar of the contemporary blockbuster event film franchise. Drawing on findings from a unique cross-cultural and longitudinal study, the authors argue that processes and imperatives associated with Hollywood ‘blockbusterisation’ shaped the trilogy’s conditions of production, format, content, and visual aesthetic in ways that left many viewers progressively disenchanted. The chapters address public and private prefigurations of the .Hobbit .trilogy, modes of reception, new cinematic technologies and the .Hobbit. hyperreality paradox, gender representations, adaptation and the transformation of cinematic desire, and the role of social and cultural location in shaping audience engagement and response. This book will appeal to audience researchers, Q methodologists, scholars and students in film and media studies, Tolkien scholars, and .Hobbit. fans and critics alike.. | | 出版日期 | Book 2017 | | 關(guān)鍵詞 | Film studies; reception research; screen adaptations; franchise films; blockbuster films; Tolkien; Q metho | | 版次 | 1 | | doi | https://doi.org/10.1057/978-1-137-59616-1 | | isbn_ebook | 978-1-137-59616-1 | | copyright | The Editor(s) (if applicable) and The Author(s) 2017 |
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