Titlebook: eCulture; Cultural Content in Alfredo M. Ronchi Book 2009 Springer-Verlag Berlin Heidelberg 2009 Ambient Intelligence.Computer.Content Man

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Book 2009troduced to virtual museums issues and achievements, cataloguing, digitizing, publishing, and sustainable exploitation of cultural content, all exemplified by real-world case studies and applications. Taking into account more than 15 years of experience and results in digital cultural content resear

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https://doi.org/10.1007/978-3-658-36488-5 available. The quality, comprehensiveness and preservation of native digital objects are bounded by the digital technology utilised. We all know that digitisation means “segmentation” into slices, such that the digitised data has defined resolution and quality. Once the standard has been defined (i

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Quality Contentuality of both the content and the format. Some of the early products look more like a bare porting of paper-based books without the physical look and feel of a real book and its typical “easy to use” approach. Perhaps you remember some “digital cookbooks” that required that a PC with a keyboard and

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Digital Communication: the Role of Contextnd a case study that could aid the generation of new ideas regarding — and potential future applications of — virtual reality in the field of culture. Today, more than fifteen years after interactive virtual reality was first exploited, and more than ten years after the “explosion” of the Internet,