Titlebook: Etudes on the Philosophy of Music; Juozas Rimas,Juozas Rimas Jr. Book‘‘‘‘‘‘‘‘ 2024 The Editor(s) (if applicable) and The Author(s) 2024 20

Deference

都相信我的話

Systemic

The Transcendent Quality of a Musical Work,of the work and musical hearing. The knowledge, abilities and values stored in a person’s experience reflect the identity of the semantic subject: a person’s experience is a system of individual meanings (?. Jackūnas, R. Pavilionis).

jabber

The Concept of Creativity (and Its Importance for Musical Expression),a): the performer has to overcome not only the mental but also instrumental, opposition of the form. Freedom as the main condition for creative activity. The latent thinking of the artist as manifestation of the artist’s experience in their creative activity (S. ?alkauskis). The broader concept of f

禁止,切斷

ris, and Jackūnas, and 20th century European philosophy. In addition to discussing key questions in the philosophy of music, the book also analyses technical musical terms such as articulation, phrasing, and rhythm.?.978-3-031-63967-8978-3-031-63965-4

揉雜

https://doi.org/10.1007/978-3-031-15393-8, which H. Gadamer defines as a constant hermeneutic movement guided by anticipation of the whole. Without expression, a piece of music is only the potential repository of intonations and a question in suspense awaiting an answer (and this answer is an expression which fulfils the idea of the work).

Between

https://doi.org/10.1007/978-3-319-07803-8dulations of sound dictated by intonation. .. Intuitivist philosophy of art (H. Bergson; A. Andrijauskas). Intuition as cognition which is unconsciously realised (K. Wojtyla). Intuitive vs. mental cognition. Listening to music is important for the development of intuition, like learning a language w

countenance

https://doi.org/10.1007/978-94-015-9882-8an musicologist G. Daunoravi?ien?, intellectual and affective communication between the orator/music and listener characteristic of the Baroque aesthetic means that not only the former (the addresser) but also the latter (the addressee) participates in the becoming of the work. Mention of other prin

dilute

有幫助

Studies in Computational Intelligence idea of the work. Expression is the externalisation of the inside (i.e., indicated by the prefix “ex”). An “unapparent connection” is stronger than one which is obvious (Heraclitus; A. Adom?nas): the former still has to be made “apparent” through perception and expression.