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Titlebook: Enemy Encounters in Modern Warfare; Holly Furneaux,Matilda Greig Book 2024 The Editor(s) (if applicable) and The Author(s), under exclusiv

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樓主: FLAW
11#
發(fā)表于 2025-3-23 12:20:34 | 只看該作者
Arnold L. Demain,Sergio Sánchezt war by remembering only its own military deaths; and the Hiroshima Peace Park foregrounds civilian war experiences as encounters with a bomb-as-enemy. These comparisons culminate in ruminations about the many-sided notions of enemy emerging at a time of natural and international conflict and chall
12#
發(fā)表于 2025-3-23 16:37:56 | 只看該作者
13#
發(fā)表于 2025-3-23 21:31:16 | 只看該作者
14#
發(fā)表于 2025-3-24 00:28:34 | 只看該作者
Book 2024d reciprocity between the lines raises questions about the necessity of a clear feeling of enmity for fighting to continue, while in others, exclusionary attitudes based on racial or colonial hierarchies or the criminality of irregular warfare result in extreme violence and differential valuations o
15#
發(fā)表于 2025-3-24 05:01:31 | 只看該作者
16#
發(fā)表于 2025-3-24 09:06:24 | 只看該作者
,‘I was a stranger and ye took me in’: Adopting the Enemy, Sultan to establish the significance of paternalism and sentimentality within imperial affect. Racist assumptions of white European superiority, which underpinned the extreme violence of empire, structured the presentation of British guardianship as an unambiguous cultural benefit for enemy childre
17#
發(fā)表于 2025-3-24 10:40:43 | 只看該作者
,‘He said he was an Irishman also’: Irish-American Union and Confederate Encounter Stories in the Amcted to a larger Irish nationalist fight, how identity was reinforced through finding common empathy amongst ethnic combatants, and how national connections were articulated in a variety of front-line, home-front, and prisoner-of-war settings. The manner in which fictional encounters were recorded i
18#
發(fā)表于 2025-3-24 18:26:39 | 只看該作者
19#
發(fā)表于 2025-3-24 22:37:14 | 只看該作者
20#
發(fā)表于 2025-3-25 01:08:46 | 只看該作者
,‘Yoors truly German’: A Micro-History of Poetic Enemy Encounters of the 1917 Retreat,tre and content, Germans reclaim the narrative of their own otherness and create a mirror effect, not only questioning but also flipping enemy alterity. This micro-history of how prosody not only represents alterity but also creates and questions it sheds light on the linguistic and material mediati
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