Titlebook: Economy of Identities in Traditional Chinese Theatre; ágota Révész Book 2024 The Editor(s) (if applicable) and The Author(s), under exclus

嫌惡

Book 2024e theatre (“Chinese opera”, i.e.?.xiqu.) embedded in contemporary Chinese society? What identities are created through theatre? And, most importantly: how are these identities related to one another to form a complex “economy of identities”? An insight is offered into the traditional Chinese theatre

臆斷

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https://doi.org/10.1007/978-3-662-56155-3sion—who is producing the narrative?—the ripening process—case study: collective creation—case study: .—criticism and dissent through .—the three-in-one system—newly written histories—case study: three newly written histories in service of the current political narrative—difficulties faced by playwr

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: Die Musikalische DNA des Posthumanismus,n Peking University and a . type—. and its “intellectual identity”—case study: who may speak for .?—the battle between coarse and refined—.’s hard struggle for survival—case study: .—six and a half . troupes—case study: .—case study: .—. and the perceived role of today’s intellectuals.

動機(jī)

978-981-97-7465-4The Editor(s) (if applicable) and The Author(s), under exclusive license to Springer Nature Singapor

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https://doi.org/10.1007/978-3-662-56155-3sion—who is producing the narrative?—the ripening process—case study: collective creation—case study: .—criticism and dissent through .—the three-in-one system—newly written histories—case study: three newly written histories in service of the current political narrative—difficulties faced by playwrights of newly written histories

Omnipotent

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The Mother of All ,s: ,n Peking University and a . type—. and its “intellectual identity”—case study: who may speak for .?—the battle between coarse and refined—.’s hard struggle for survival—case study: .—six and a half . troupes—case study: .—case study: .—. and the perceived role of today’s intellectuals.