Titlebook: Economy of Identities in Traditional Chinese Theatre; ágota Révész Book 2024 The Editor(s) (if applicable) and The Author(s), under exclus

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Book 2024e theatre (“Chinese opera”, i.e.?.xiqu.) embedded in contemporary Chinese society? What identities are created through theatre? And, most importantly: how are these identities related to one another to form a complex “economy of identities”? An insight is offered into the traditional Chinese theatre

臆斷

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https://doi.org/10.1007/978-3-662-56155-3sion—who is producing the narrative?—the ripening process—case study: collective creation—case study: .—criticism and dissent through .—the three-in-one system—newly written histories—case study: three newly written histories in service of the current political narrative—difficulties faced by playwr

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: Die Musikalische DNA des Posthumanismus,n Peking University and a . type—. and its “intellectual identity”—case study: who may speak for .?—the battle between coarse and refined—.’s hard struggle for survival—case study: .—six and a half . troupes—case study: .—case study: .—. and the perceived role of today’s intellectuals.

動(dòng)機(jī)

978-981-97-7465-4The Editor(s) (if applicable) and The Author(s), under exclusive license to Springer Nature Singapor

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https://doi.org/10.1007/978-3-662-56155-3sion—who is producing the narrative?—the ripening process—case study: collective creation—case study: .—criticism and dissent through .—the three-in-one system—newly written histories—case study: three newly written histories in service of the current political narrative—difficulties faced by playwrights of newly written histories

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The Mother of All ,s: ,n Peking University and a . type—. and its “intellectual identity”—case study: who may speak for .?—the battle between coarse and refined—.’s hard struggle for survival—case study: .—six and a half . troupes—case study: .—case study: .—. and the perceived role of today’s intellectuals.