Titlebook: Ezra Pound as Critic; G. Singh Book 1994 G. Singh 1994 Chaucer.concept.Dante.French.Geoffrey Chaucer.Henry James.Italy.John Milton.literar

PACT

Credence

The Making of an Artist,tist. In . (written in 1912; published in 1950) as well as in his essay ‘The Serious Artist’ (1913), he confronted the problem both on the moral and the psychological plane. To few modern poets and artists could Whitman’s lines —‘Camerado, this is no book; / Who touches this touches a man’ — be appl

態(tài)度暖昧

Induction

,Pound’s Letters in Criticism, Ford Madox Ford. Eliot referred to the masterly nature of Pound’s epistolary style. — a style with its forthright vigour and raciness, matching the provocatively striking nature of what he had to say. Pound himself summed up the secret of his prose style:

Ferritin

Panacea

Congregate

難理解

Ganglion

Comparative Analysis and Conclusions, well as into that of others he was personally interested in. On his discussion of poetry, Pound brought to bear his acute sense of contemporaneity as well as of his personal view of tradition as represented by Homer, Ovid, Dante, Chaucer and Shakespeare. Quite early in his poetic career he had come

SEMI

Promoting an Inter-organizational Culture,awareness of the conditions of American civilisation — in some ways, no less valid today than when he wrote it — and of whether they were conducive or detrimental to the growth and development of an artist.