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Titlebook: Exploring Indian Modernities; Ideas and Practices Le?la Choukroune,Parul Bhandari Book 2018 Springer Nature Singapore Pte Ltd. 2018 Indian

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發(fā)表于 2025-3-25 07:12:57 | 只看該作者
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發(fā)表于 2025-3-25 08:54:34 | 只看該作者
and humanities research on India in a temporal perspective..This book analyses how multiple and hybrid ‘modernities’ have been shaped in colonial and postcolonial India from the lens of sociology and anthropology, literature, media and cultural studies, law and political economy. It discusses the i
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https://doi.org/10.1007/978-1-4615-4056-4simultaneously on ideas of hospitality embedded in religious texts as well as a modern discourse of equality and rights. The essay discusses these stories in relation to the thinking of hospitality, sociality, and the nation as it emerges in the texts of Ambedkar and Savarkar.
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發(fā)表于 2025-3-26 03:03:22 | 只看該作者
https://doi.org/10.1007/978-1-59259-477-1 Indian concerns? Since modernism perhaps implies a kind of disinheritance, does the vacuum get filled with alien concepts and values? How much does the experiential quality of modern Indian fiction smack of western influence? Can we evolve a definition of modernism which is strictly and convincingly descriptive of the Indian reality?
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發(fā)表于 2025-3-26 05:47:50 | 只看該作者
Learning Exercises and Solutions them of the temporal imperatives to act in the present. The visual story of indigenous groups in colonial India is thus a complex one—first of fear, admiration and avoidance, and later, of recognition, disciplining and cultural captivity.
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發(fā)表于 2025-3-26 09:07:06 | 只看該作者
Exploring Modernism as Reflected in Post-partition Hindi/Urdu Fiction Indian concerns? Since modernism perhaps implies a kind of disinheritance, does the vacuum get filled with alien concepts and values? How much does the experiential quality of modern Indian fiction smack of western influence? Can we evolve a definition of modernism which is strictly and convincingly descriptive of the Indian reality?
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發(fā)表于 2025-3-26 14:17:12 | 只看該作者
From ‘Savages’ to ‘Saviours’: Genealogy of Santal Portrayal in Colonial Modernity them of the temporal imperatives to act in the present. The visual story of indigenous groups in colonial India is thus a complex one—first of fear, admiration and avoidance, and later, of recognition, disciplining and cultural captivity.
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發(fā)表于 2025-3-26 19:08:20 | 只看該作者
Book 2018tives on everyday practices of modernities and the cultural constituents of being modern. This book provides an enriching read by bringing together original papers from diverse disciplines and from renowned as well as upcoming scholars. .
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