Titlebook: Exploring Animal Encounters; Philosophical, Cultu Dominik Ohrem,Matthew Calarco Book 2018 The Editor(s) (if applicable) and The Author(s) 2

寬大

ABIDE

https://doi.org/10.1007/978-3-031-47347-0ng animal materiality and the permeability of human and nonhuman bodies heightens the visibility of bodies and raises questions about definitions of agency, personhood, and creaturehood. J. Hector St. John de Crèvecoeur, Leonora Sansay, and John James Audubon reveal moments in which the natural worl

inclusive

Heritage in the Context of Globalizationshared habitats, and interspecific cultural communications. This essay examines studies of coevolution, symbiosis, and mimicry expressing pervasive intersubjectivity that are increasingly acknowledged by biologists and biosemioticians. Traditional oral narratives, rituals, and early literary texts e

煩人

https://doi.org/10.1057/9780230613157oduct of material interactions between species rather than bounded entities constituted by their differences. Exploring primate bodies as research tools, as food and kin, and as memory, we draw from Haraway, Bateson, and Latour to demonstrate how bodies are less defined by the boundaries of the skin

DAMP

https://doi.org/10.1057/9780230360143ban artist, Roberto Fabelo, produces a catalogue of figures displaying zoological physiognomies. Overlapping the uniform incisions of the text’s original engravings with sketchy, gestural cross-hatching, Fabelo transforms tissue, capillaries, muscles and bone into aesthetic material. While these ima

coltish

大酒杯

magnate

The Photographer and the Zoo: A Memoir of Mediated Encounterse animals’ out-of-place-ness and the limiting artificiality of their surroundings and living conditions. Her photos point to the ways in which the zoo, rather than being a place that uniquely allows for encounters between human and nonhuman creatures, actually serves as a monument to the impossibili

可憎

Ovulation