Titlebook: Experimental and Expanded Animation; New Perspectives and Vicky Smith,Nicky Hamlyn Book 2018 The Editor(s) (if applicable) and The Author(s

Triglyceride

,The Animated Female Body, Feminism(s) and ‘Mushi’,allation or interactive live performance. This chapter examines productions of five women artists active in these presentation modes whose creative outputs are imbued with themes of gender, social relationships, and urban and natural environments—Suzan Pitt, Tabaimo, Rose Bond, Marina Zurkow and Miw

BRAND

,“Coming to Life” and Intermediality in the Tableaux Vivants in , (Pucill, 2013) and , (Pucill, 2016ct photographs by Claude Cahun, which according to Peth? are the supreme examples of intermedial intensity. The duality of traditional categories of ‘a(chǎn)nimation–live action’ is examined through the writing of Tomas Lamarre. The crossing of time period and authorship is highlighted as an intensity of

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Siting Animation: The Affect of Place,he viewing experience without significant change in her angle of view of the images on the screen before her. Through reference to examples of works by artists Rose Bond, Birgitta Hosea, Pedro Serrazina and Xue Yuwen, this chapter considers non-narrative animation that has been created to be part of

AGONY

2523-7527 ctical and theoretical perspectives.Engages the novel method.This book discusses developments and continuities in experimental animation that, since Robert Russet and Cecile Starr’s .Experimental Animation: Origins of a New Art. (1976), has proliferated in the context of expanded cinema, performance

TAP

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Introduction and Preliminaries,animation–live action’ is examined through the writing of Tomas Lamarre. The crossing of time period and authorship is highlighted as an intensity of intermediality in film, which points to the potential significance of an artist animating the historical archive in film.

名詞

Overview of Global Atmospheric Change,s on expanded forms of animation. The result is a wide-ranging set of essays which focus on specific aspects of practice, from detailed analyses of individual filmmakers’ work to consideration of some of the fundamental philosophical and aesthetic issues arising from expanded and experimental forms of animation.

1FAWN

Global Atmospheric-Biospheric Chemistrylving figures on the walls of the city. . . is a 30-minute film by Swiss artists Peter Fischli and David Weiss which documents in a series of long takes (with carefully concealed edits) a series of home-made devices which variously decompose, fall, crash and burn to produce a chain reaction of events.

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燒烤

Analogon: Of a World Already Animated,lving figures on the walls of the city. . . is a 30-minute film by Swiss artists Peter Fischli and David Weiss which documents in a series of long takes (with carefully concealed edits) a series of home-made devices which variously decompose, fall, crash and burn to produce a chain reaction of events.