Titlebook: Experimental Irish Theatre; After W.B. Yeats Ian R. Walsh Book 2012 Palgrave Macmillan, a division of Macmillan Publishers Limited 2012 bib

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書目名稱Experimental Irish Theatre影響因子(影響力)




書目名稱Experimental Irish Theatre影響因子(影響力)學(xué)科排名




書目名稱Experimental Irish Theatre網(wǎng)絡(luò)公開度




書目名稱Experimental Irish Theatre網(wǎng)絡(luò)公開度學(xué)科排名




書目名稱Experimental Irish Theatre被引頻次




書目名稱Experimental Irish Theatre被引頻次學(xué)科排名




書目名稱Experimental Irish Theatre年度引用




書目名稱Experimental Irish Theatre年度引用學(xué)科排名




書目名稱Experimental Irish Theatre讀者反饋




書目名稱Experimental Irish Theatre讀者反饋學(xué)科排名

VOC

Affection

Pessary

Experiments in Verse, stage. Donagh MacDonagh was part of this movement and his first play, ., was produced by Clarke’s Lyric Theatre. However, MacDonagh’s plays, despite having ‘a(chǎn) riotousness of imagination’ and being written in verse, are not poetic dramas. Denis Donoghue, in his seminal book on verse drama, The Third

嘴唇可修剪

Experiments in Theatre: Maurice Meldon,after his last play had been staged. Despite gaining national success with his play . and being introduced to an international audience with the publication of his one-act play, . (in Methuen’s .), Meldon’s achievements seem to have been destined to be forgotten. Remembrance seems to be dependent on

江湖郎中

Continuing Experimentation,launching the career of one of contemporary drama’s most seminal figures. In Ireland, in the same year, not only was Maurice Meldon’s last produced play . staged at the 37 Theatre Club but another new avant garde theatre was established in Dublin, which would in its short existence draw worldwide at

江湖郎中

偏狂癥

指派

Mnemonics