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Titlebook: Experimental Film and Photochemical Practices; Kim Knowles Book 2020 The Editor(s) (if applicable) and The Author(s) 2020 Photochemical Fi

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發(fā)表于 2025-3-21 17:44:51 | 只看該作者 |倒序瀏覽 |閱讀模式
書目名稱Experimental Film and Photochemical Practices
編輯Kim Knowles
視頻videohttp://file.papertrans.cn/319/318833/318833.mp4
概述opens up new theoretical perspectives on materialist film.discusses the potential for new kinds of tactile knowledge, privileging process as a form of physical and embodied encounter.uses specific exa
叢書名稱Experimental Film and Artists’ Moving Image
圖書封面Titlebook: Experimental Film and Photochemical Practices;  Kim Knowles Book 2020 The Editor(s) (if applicable) and The Author(s) 2020 Photochemical Fi
描述.This book assesses the contemporary status of photochemical film practice against a backdrop of technological transition and obsolescence. It argues for the continued relevance of material engagement for opening up alternative ways of seeing and sensing the world. Questioning narratives of replacement and notions of fetishism and nostalgia, the book sketches out the contours of a photochemical renaissance driven by collective passion, creative resistance and artistic reinvention. Celluloid processes continue to play a key role in the evolution of experimental film aesthetics and this book takes a personal journey into the work of several key contemporary film artists. It provides fresh insight into the communities and infrastructures that sustain this vibrant field and mobilises a wide range of theoretical perspectives drawn from media archaeology, new materialism, ecocriticism and social ecology. .
出版日期Book 2020
關(guān)鍵詞Photochemical Film; Obsolescence; Experimental Cinema; Celluloid; Aesthetics
版次1
doihttps://doi.org/10.1007/978-3-030-44309-2
isbn_softcover978-3-030-44311-5
isbn_ebook978-3-030-44309-2Series ISSN 2523-7527 Series E-ISSN 2523-7535
issn_series 2523-7527
copyrightThe Editor(s) (if applicable) and The Author(s) 2020
The information of publication is updating

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沙發(fā)
發(fā)表于 2025-3-21 21:37:01 | 只看該作者
The Matter of Media,cinema, in its previous incarnation is no longer. The technological shifts that have been taking place since the 1990s have dislodged the ontological foundations of the medium as well as its spaces of reception.
板凳
發(fā)表于 2025-3-22 01:36:40 | 只看該作者
地板
發(fā)表于 2025-3-22 07:44:40 | 只看該作者
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發(fā)表于 2025-3-22 11:44:41 | 只看該作者
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發(fā)表于 2025-3-22 13:40:37 | 只看該作者
Experimental Film and Photochemical Practices978-3-030-44309-2Series ISSN 2523-7527 Series E-ISSN 2523-7535
7#
發(fā)表于 2025-3-22 18:38:31 | 只看該作者
Genetic Control of Dosage CompensationThe arguments made in this book relate primarily to a mode of experimental film practice commonly referred to as ‘materialist’, that is, works that draw attention to the material of the filmstrip through tactile intervention and obscure vision by creating multiple layers, tangible surfaces, proximal views and haptic images.
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發(fā)表于 2025-3-23 00:27:24 | 只看該作者
Genetic Susceptibility to CancerIn his overview of the artisanal film movement, Chris Gehman argues that experimental cinema has always been defined by its emphasis on alternative models of production, favouring individual, hands-on approaches to the large-scale industrial processes of commercial cinema.
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發(fā)表于 2025-3-23 05:05:28 | 只看該作者
Nadia Nedjah,Luiza de Macedo MourelleA marginal practice existing outside the well-oiled machine of the mainstream film industry, experimental cinema has always to some extent been facilitated and communicated through the existence of alternative infrastructures and communities.
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發(fā)表于 2025-3-23 08:35:24 | 只看該作者
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