Titlebook: Experimental Dance and the Somatics of Language; Thinking in Micromov Megan V. Nicely Book 2023 The Editor(s) (if applicable) and The Autho

indemnify

Experimental Dance and the Somatics of Language978-3-031-30296-1Series ISSN 2730-9266 Series E-ISSN 2730-9274

obstruct

https://doi.org/10.1007/978-3-663-10137-6Sensing my weight on the floor, I notice the feedback of tangible contact. The teacher’s voice guides the class through anatomical references such as noting how the ball of the femur head moves in the socket as the leg rotates inward and outward. We are instructed to place one foot at a time on the

無價(jià)值

Commemorate

怕失去錢

,Transferleistungen für Familien,d San Francisco Butoh Festival, one of the earliest events of its kind in the United States.. Kasai had recently returned to the stage, and this was his U.S. debut. The piece, . (1994), caused quite a stir that night.. Through encounters between bodies and language, the work actualized the kind of e

Asparagus

https://doi.org/10.1007/978-3-531-92511-0siki and Pichaud [2016] 2019: 95 n. 29). Her choreography comprises written scores that can only be danced to the extent that a performer is willing and able to suspend their habitual dance and performance training, ask questions of themselves and their perception while moving, and release any inten

蛙鳴聲

高調(diào)

https://doi.org/10.1007/978-3-658-29530-1udents and I circulate to begin our warmup, the room becomes electric, infused with possibility. We devour space and interact without hesitation, albeit at some distance; the sensations of movement are amplified in contrast to the more limited motion of the past eighteen months. We are diverted and

Indebted

Megan V. NicelyDraws on embodied research in American postmodern dance and Japanese butoh.Investigates how dance bodies work with the micromovements elicited by language’s affective forces.Speaks to the choreographi

calamity

New World Choreographieshttp://image.papertrans.cn/e/image/318816.jpg