Titlebook: Exoticizing the Past in Contemporary Neo-Historical Fiction; Elodie Rousselot Book 2014 Palgrave Macmillan, a division of Macmillan Publis

抒情短詩(shī)

Katrin Regier,Stefanie Regier,Meike Zellneras Hilary Mantel, Ian McEwan and Sarah Waters) exploiting the creative possibilities the genre affords, and the creation in 2009 of its very own literary award, the Walter Scott Prize for historical fiction. Boasting one of the largest monetary prizes of its kind in the United Kingdom, the Walter Sc

BANAL

Beantwortung der Forschungsfragento Cardinal Wolsey’s secretary and lawyer, and later Henry VIII’s minister and adviser.. In . (2012), Mantel continues her project of rescuing Cromwell from obscurity, but also pays heed to Anne Boleyn, whose protean figure has been the subject of much interpretation. In this sense, Mantel acts as a

hazard

我正派

Jürgen Enders,Christoph Heine,Peter Kl?s to propagate degrading colonial fantasies and stereotypes. Concerned with telling the other side of the story or recuperating the Other from the distorting fictions of the archive, they generate agenda-fuelled narratives. Anne Enright’s . (2002) tells the story of an Irish born courtesan in Paris w

說(shuō)明

Forschung zur diagnostischen Kompetenz,g’ (Kohlke and Gutleben, 2010, p. 20), and thus to bring to the foreground disregarded historical injustices. For the reader, however, the neo-Victorian novel holds out the additional promise of an imaginative escape into a new and unfamiliar exotic space and time, posited outside of everyday experi

Liability

Konzeptuelle Fassungen von Inklusionian romps’ (Waters, 2002, n.p.) for a more historically charged setting — London in the 1940s.. The radical change of period allows indeed for a very different intensity: the colourful, Dickensian atmosphere of . (1998) or . (1999) is replaced with the depiction of the drab living conditions of wart

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69), while at the same time moving beyond these earlier forms. As Dana Shiller’s analysis of a work published as early as Peter Ackroyd’s . (1987) demonstrates, self-referential and meta-critical engagements with past historical periods and their cultural environment have been a feature of a certain

Gentry

ostensible

Matthias Finger,Silvia Bürgin,Ueli Haldimann, Mr Hitler?’ performed by Bud Flanagan. This song includes the lines: ‘[w]e are the boys who will stop your little game/We are the boys who will make you think again’. Many believe it to be a song from the 1940s, due no doubt to the authentic musical arrangement, and the voice of Flanagan, a singer