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Titlebook: Exile through a Gendered Lens; Women’s Displacement Gesa Zinn,Maureen Tobin Stanley Book 2012 Gesa Zinn and Maureen Tobin Stanley 2012 Euro

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發(fā)表于 2025-3-21 16:13:07 | 只看該作者 |倒序?yàn)g覽 |閱讀模式
書目名稱Exile through a Gendered Lens
副標(biāo)題Women’s Displacement
編輯Gesa Zinn,Maureen Tobin Stanley
視頻videohttp://file.papertrans.cn/319/318541/318541.mp4
圖書封面Titlebook: Exile through a Gendered Lens; Women’s Displacement Gesa Zinn,Maureen Tobin Stanley Book 2012 Gesa Zinn and Maureen Tobin Stanley 2012 Euro
描述This interdisciplinary anthology highlights exiled/alienated women in literature, history, and cinema. Contributors investigate when and how women from diverse backgrounds have been relegated to the margins in order to shed light on the state of alienhood that stems from gendered otherness.
出版日期Book 2012
關(guān)鍵詞Europe; European history; exile; history; migration; women
版次1
doihttps://doi.org/10.1057/9781137121097
isbn_softcover978-1-349-34254-9
isbn_ebook978-1-137-12109-7
copyrightGesa Zinn and Maureen Tobin Stanley 2012
The information of publication is updating

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發(fā)表于 2025-3-21 21:51:10 | 只看該作者
Exile in Letters,eriences of Brecht’s collaborators. Two of his coauthors, Elisabeth Hauptmann and Margarete Steffin, maintained correspondence that details their lives in exile on two different continents. Hauptmann had worked on Brecht’s plays in Berlin and escaped to the United States while Steffin remained in Eu
板凳
發(fā)表于 2025-3-22 01:21:16 | 只看該作者
A Lost Voice Remembered, odds in twentieth-century Spain, her uncommon bravery and astute intellect allowed her to write prolifically and poetically about her political experience. After the Fascist defeat of the Republican democratic government, she was forced to flee Spain and spend nearly half her life in exile in Franc
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發(fā)表于 2025-3-22 04:36:20 | 只看該作者
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發(fā)表于 2025-3-22 14:07:43 | 只看該作者
Liberating Mythography,ed by the masters of Spain’s Golden Age, Iciar Bol-lain’s plot in her film Te doy mis ojos (Take My Eyes). becomes one of liberation. Tobin Stanley analyzes a victim’s experience of domestic violence as a type of exile. She shows that the Golden Age artworks incorporated by Bollain invite the viewer
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發(fā)表于 2025-3-22 20:42:42 | 只看該作者
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發(fā)表于 2025-3-23 00:36:34 | 只看該作者
Optical Sensing of Enantiomers,nue to be the incontrovertible other within twentieth- and twenty-first century history. Each of the chapters within this anthology problematizes, sheds light on, underscores, and subverts gendered otherness and alienhood. The condition of other is that of exclusion, of inferiority, yet also of ineq
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發(fā)表于 2025-3-23 02:28:49 | 只看該作者
A. Korobenko,A. Bayram,M. Dhalwalaeriences of Brecht’s collaborators. Two of his coauthors, Elisabeth Hauptmann and Margarete Steffin, maintained correspondence that details their lives in exile on two different continents. Hauptmann had worked on Brecht’s plays in Berlin and escaped to the United States while Steffin remained in Eu
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發(fā)表于 2025-3-23 06:14:57 | 只看該作者
https://doi.org/10.1007/978-3-319-96469-0 odds in twentieth-century Spain, her uncommon bravery and astute intellect allowed her to write prolifically and poetically about her political experience. After the Fascist defeat of the Republican democratic government, she was forced to flee Spain and spend nearly half her life in exile in Franc
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