Titlebook: Evil Children in Religion, Literature, and Art; Eric Ziolkowski Book 2001 Eric Ziolkowski 2001

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Thomas Kyd: The Spanish Tragedy not the Augustinian view of children as wicked, but the view of them as constituting part of ‘a(chǎn)dult society’, and the notion that any ‘infant who was too fragile as yet to take part in the life of adults simply “did not count” ‘.1

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,Patristic and Medieval Views of 2 Kings 2.23—24, illustrating the ethical inferiority of the one god to the other; in keeping with his theology, he may have argued that the setting of bears upon small children reflects an ‘evil’ compatible with the justice of the Old Testament God, but incompatible with the goodness of the New Testament God.

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2947-8448 otif, involving a gang of urchins, usually male, who mock or assault a holy or eccentric person, typically an adult. Originating in the biblical tale of Elisha‘s mockery (2 Kings 2.23-24), this motif recurs in literature, hagiography, and art, from antiquity up to our own time, strikingly defying th

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https://doi.org/10.1057/9780230281455ough prelapsarian eyes, the Romantics equated childhood with the innocent condition of Adam in Eden and exalted the child’s ‘freshness of sensation’ (Coleridge) as a norm for adult artistic experience.

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